Tag Archives: Television

No Strike Waivers For TV Yet But Web Start Ups Tempt Writers


Variety’s Dave McNary reported that the WGA rejected requests for strike waivers by the Golden Globes and Oscar telecasts today. While the Guild granted waivers during the strike in 1988, I doubt they will now- even to Letterman and Leno -until and unless meaningful negotiations resume for two reasons. Awards shows present a high profile opportunity to make an adverse and very public impact on the quality of these telecasts. Secondly, any waiver now, absent meaningful negotiations and in the face of mounting holiday debts for WGA members, may erode the widespread support of Guild members to the cause.

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

The LA Times ran a story that striking writers are in talks with venture capitalists to finance and launch Internet start-up companies. “Silicon Valley investors historically have been averse to backing entertainment start-ups, believing that such efforts were less likely to generate huge paydays than technology companies.” There’s been a change in that perspective, albeit a limited one, after the success of Youtube. I’ve been involved in several of these deals. One started just before the strike and was in production as late as last week. They’re interesting opportunities on the cutting edge of where the entertainment business appears to be headed. However, without the right business model, these ventures will – if they go anywhere – lead to cross-over deals for TV programming rather than a big pay day for an Internet venture. It reminds me of Web 1.0’s icebox.com or my stint with Film Roman’s Level 13 back in the day. Despite the risks, more and more of my clients are migrating to the Internet, if not for the potential payoff then for a chance to broaden their experience and marketability down the road.

Stix Nix (Rix?) Pix!!

That’s Variety headline-speak (yes, I know, it needs work) for the WGA’s apparent decision on Tuesday to pull back on its demand that reality TV programs come under the Guild’s jurisdiction. Most of the reps I spoke with during yesterday’s client negotiations believe this is a positive sign that the Guild won’t strike. However, the ground shifts every day so nobody really knows.

Deal flow on my desk continues to support the widespread consensus that reality TV and other non-scripted television programming will continue to be a substantial part of TV deal making. The irony is that the ’88 WGA strike had a significant impact on increasing the popularity of the genre in the first place. “Unsolved Mysteries” and “Cops” both received a significant boost in viewership during the ’88 strike.

Apparently, the Guild intends to spare writers working in reality TV the rod if they work in the genre during the strike. According to Dave McNary’s piece in yesterday’s Variety, “the WGA’s efforts to sign up reality shows have fallen so short that members won’t face any sanction for working in that sector should a work stoppage occur. In a telling move earlier this month, the WGA forged extensive strike rules that did not include any mention of punishment for working on reality shows — even though the rules contained sanctions for work in other areas of limited guild coverage, such as new media and feature animation.” You can get the WGA Strike Rules here.

According to McNary, real progress in negotiations won’t start until a day or two before the current agreement with the Guild expires. Nothing like writers working under a deadline!